Contrary to popular belief, I have never been into a strip club nor have I been on a porn-set. I have known a lot of people in the sex business, and even had a couple roommates who worked as dancers. In fact most the women I knew in Los Angeles had some kind of side job where they sold sexual commodities when they needed extra cash. They were adults, very young adults, but nevertheless it was their choice.
After my failed attempt at cocktail waitressing at the Troubadour in Hollywood, I got a job at The Comedy Store on Sunset Boulevard. The money was great. The atmosphere was really exciting because at the time, Sam Kinison was just breaking it into the big-time and The Comedy Store was his home venue. He attracted huge crowds and despite his drug and alcohol addictions, Sam was a really nice guy who was always very nice to me. It didn’t hurt that he had a crush on me so I got invited to all the “in” parties. I was hanging out with all the cool people at The Rainbow Club. I was even on 20/20 featuring the Comedy Store and Sam Kinison. I’ve never seen the footage, but my family has verified that they’ve seen it.
Things got really crazy around The Comedy Store. Sam was like a rock-star and attracted people like Ron Jeremy, Rodney Dangerfield, Motley Crue and Mikey Rourke. He also attracted a lot of strippers and porn-stars. The place turned into a circus. Clowns and contortionists started hanging around. A bunch of Hollywood little people started hanging out, one dwarf in particular was a guy in a wheelchair who was on some sit-com. He played an eleven-year-old girl even though he was in his thirties. And the guy was a complete pervert and hit on all the waitresses. Imagine a drunk dwarf in a wheelchair trying to cop a feel every time you walked by. You just wanted to run for your life when you saw him zooming around on that thing. When you get famous in Hollywood, you attract freaks from all over the globe.
One night Sam was having a party in the Chateau Marmont, the place where John Belushi died, and all the waitresses went over there after our shift. I had never stepped foot in the Marmont and I was pretty excited to check it out. Think of all the Hollywood history in that place. They had a really cool suite that overlooked West Hollywood. The windows opened out like shutters and there was a warm breeze blowing through the suite. I sat on the windowsill to take in the beautiful view of the L.A. night. Everything was really mellow and then the dwarf showed up. I really didn’t like the guy because he never tipped for his drinks and he was generally an asshole. He was wasted drunk and spilling the contents of his bottle of Corona all over himself. Apparently it was his birthday. A few moments later this stunning woman walked in the door. She had short bleach blond hair, and wore a black motorcycle jacket and high heels. She walked around and chatted with everyone. She reminded me of a very young Melanie Griffith, and in fact could have been Ms. Griffith’s stand-in. All the sudden someone turned up the music and she starts dancing and taking off her clothing. I sat there with my mouth dropped to the floor because I had never seen a woman strip. I was torn between watching her perform, and looking out the window. She started doing interactive dancing; that’s where she would let the guys dance with her and they stuff money into her panties. Cash was flying everywhere.. Then she gets on the wheel chair with the dwarf and starts grinding her hips on him. He pours his beer on her breasts and licks it off. I was mortified. The girls I worked were talking and laughing like there was nothing going on around them. Like I said everyone had side jobs in the sex industry so I guess they were used to this. I, on the other hand, was not conditioned or comfortable watching a dwarf lick beer off of Melanie Griffith’s breasts. Just as they were doing “Feed the Kitty” I left. I was pretty much traumatized for life and never stepped foot into a strip club.




Yeah…that’s right. I want a tattoo of a unicorn on my temple. It’s all the rage these days. Forget the piercing-through-the-eyebrow phase. As a culture we are soooo over that wimpy piercing crap. It’s tattoos on the face that are hot right now.
Back then it was the belief that choosing to ink meant you were choosing a lifestyle; the lifestyle usually being creative, edgy and different, and more-so than everyone else. Musicians, artists, and other creative types got tattoos. These people knew who they were and they made a choice to take a different road than most people. They didn’t plan to be employed by others. They planned on making a life for themselves by being who they were. You don’t have to be a rocket scientist to figure out that if you have a tattoo on your neck, you’re probably not going to be hired by Kraft and if you do get hired, you’re not going to be in some high profile job. I know….I know, things are changing, but if I were a Kraft executive, which I wouldn’t be, because I don’t believe in Kraft products like cheese whiz or whatever other crap they make. Anyway, let’s say I’m interviewing you and I see this big tattoo of a snake on your neck….because, you say, you read on a Chinese Restaurant paper placemat that you were born in the year of the snake. I’m thinking, this is not a smart person. Anyone who gets a tattoo knowing they were going to be to working in corporate America doesn’t have much common sense and you don’t even look cool. When are people going to learn that being edgy comes from within? It’s something that you are, not something you achieve with tattoos or other trends. Being edgy is something that comes naturally. It’s in the essence of your personality. Kraft would like to get a hold of some people with real edge that really do think outside the box, but you know, they are too busy being themselves. They don’t want to work for Kraft. They want to make their own cheese whiz and share it with their friends.
There is something peculiar about New York, something that makes me feel not trusted; like a shadow of a doubt. It could be that everything is caged or fenced. It could be that once you turn down a street there is no way out until the end of the block. They build the homes flush: there are no gangways here, no alleys. The only light comes through the windows in the front and back of your home. The center rooms are lightless.










